What Drives an Image
Workshop at the Ranch
April, 2003 Edition
What Drives an Image?
Welcome to April's Workshop
at the Ranch. Beginning with this months edition I will be teaching
and illustrating elements that drive an image. That is, things
besides "the moment" that can draw a viewer into your
pictures and hold their interest. I believe that color, pure and
simple, is one of those elements that when used correctly can
be a driving force behind an image selling for publication. Here
are some examples.
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This picture of volleyball
players is simple yet effective. The color of the court is
a dominating factor in drawing the viewer into the picture.
I used the Nikon D1H and set the white balance on Shade-3
which is the warmest setting to make the salmon colored court
a burnt orange. Simple action, it happens a hundred times
a game, but made interesting with color. |
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No trees, No golfer, No action, No moment,
yet a very pleasing picture. Color is the main focus of
attention. It also helps that the guy mowing has a red shirt.
A simple scene made interesting with color.
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Similar to the volleyball
players, color is the draw. I used a Nikon D1H at this event
and enhanced the blue of the stage lighting with white balance
controls on the camera. Fluorescent+3 is a very cool color
setting when used in combination with theater lighting grids
used at some sporting events. |
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The color of the clay in tennis can
vary. This clay in Argentina was extremely vibrant. Shot
from the top of the stadium with a my thought being Great
Color, I chose the most common movement in tennis to heighten
the idea of perfection and beautiful color.
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Sometimes the color can
be the subject and the background is simple. In this example,
Indy500 winner Rick Mears has the brightest yellow car on
the track. Terrific color, and the champion. |
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Same concept as the Rick Mears photograph.
Strong color this time popping out of the black background
of pine trees. Russia's premier skier with great color,
black background, strong action, and the subject I was assigned
to photograph. Works for me.
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Well, we have a start into a series I hope you
will like. Please join me next month for another Workshop at the
Ranch were we will continue along this series of what drives an
image and see how to incorporate design into your work. Your questions
are always welcome.
Adios, Dave
| Each month I will be teaching techniques and sharing
information about photography. I hope to address not only
how images are made, but also aspects of business and the
industry. I hope you find the time to log on each month here
at "Workshop at the Ranch" If you have a question
or comment about an area of photography not covered yet in
Workshop at the Ranch, contact me
to suggest a topic for a future issue. |
*For additional examples of photographs using
various lighting techniques see the Sports
Scene
For another truly unique lighting style with
instructions on it's implementation, check out LightPainting
Techniques in the January edition of Workshop at the Ranch
or for more on artificial arena lighting techniques, see Arena
Lighting, February's Workshop at the Ranch.