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What Drives an Image, Part Two:
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A classic Pan at 1/60th of a second.
A hand held Nikon 600mm at ISO125. The background was dreadful
and a Pan would blur the background and allow the skijumper
to be showcased. It took several attempts to accomplish one strong image where the subject remained tack sharp against the blur of color. |
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Same basic technique as the skijumper.
A hand held Nikon 400mm and a Slow Shutter Speed of 1/30
of a second. With thin overcast and empty stands in the
background I was compelled to go for the Pan. It is the
combination of the blur with color as a backdrop for the
diver that brings the viewer in for a closer look.
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Low sunset light and a Nikon 600mm lens with a 2X converter mounted on a Wimberly Head on a Bogan Tripod. The Wimberly Head allows me to Pan and Rotate in a serpentine mannor............what? That is, I can swing the camera and lens both vertically and horizontally at the same time thus allowing me to Pan in a curving fashion to follow the cyclists around the banked curve of the Velodrome. |
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Again, using a Wimberly Head to steady
the Pan movement, a Nikon D1H , an 80mm-200mm with a 2X
converter with a Slow Shutter Speed of 1/15..............Who
uses this stuff? you might ask
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The Pan American Games is a great multi-sport gathering perfect for the PAN. Great color and easy access venues provide many opportunities to accomplish beautiful images. The stock agencies of the world sell thousands of these kinds of images each year. |
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The Olympics is a difficult event to have originality in. Hundreds of photographers all shooting the same athletes. Here the Slow Shutter separates me from my colleagues and the editors are thrilled to look at something unique. |
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This image has resold a dozen times or more. This is a simple scene that is timeless and published multiple times each Olympic year because it says "Olympics" in a unique and generic way. Shot with a Nikon F3, 300mm f2 and a 2X converter from the top of the Olympic Stadium in Barcelona, Spain. |
The pages of today's magazines are filled with smash mouth, stop action, sports images. These images of a touchdown catch, a play at the plate, seldom last more than one publishing. To make a living in the photography industry you must be more than quick on the shutter. Today's photographer must have images that are creative and unique. While editorial magazines do use these pictures it is the advertising agencies that use them on a regular basis for commercial use. The commercial usage rate is anywhere from 5 to 25 or more times the value as an editorial image and can resell multiple times as opposed to yesterday's sports news.
Uniqueness , creativity , longevity , revenue accomplished with Slow Shutter Speeds and the PAN. Combine this with last months Workshop on how COLOR drives an image and you will find your pictures taking on a new and exciting look that will start you on a journey beyond the editorial sports page.
I hope you have enjoyed this edition of Workshop at the Ranch.
Adios, Dave
| Each month I will be teaching techniques and sharing information about photography. I hope to address not only how images are made, but also aspects of business and the industry. I hope you find the time to log on each month here at "Workshop at the Ranch" If you have a question or comment about an area of photography not covered yet in Workshop at the Ranch, contact me to suggest a topic for a future issue. |
*For additional examples of photographs using various lighting techniques see the Sports Scene
For another truly unique lighting style with instructions on it's implementation, check out LightPainting Techniques in the January edition of Workshop at the Ranch or for more on artificial arena lighting techniques, see Arena Lighting, February's Workshop at the Ranch.
