Light Paintings
Workshop at the Ranch
January, 2003 Edition

A Light Painting is simply a photograph taken
with a timed exposure using a mobile, constant light source to
illuminate the scene.
The light painting technique creates a bold,
dramatic style of lighting far different from conventional strobes.
Originally I used light painting primarily for small product shoots
and still lifes, but found that the technique could be modified
for use outdoors and even with live subjects.
The photograph is taken in almost complete darkness.
Total control over exposure is essential. While the shutter is
open, a mobile light source is used to illuminate only those objects
or subjects chosen to create a complete picture.
Sound impossible? Here is an example:
What I will
use:
|
Camera:
|
Nikon D100 (Great file size, Noise reduction
mode during timed exposures, Affordable) |
|
Lens:
|
Nikkor 17-35mm AF |
|
Tripod:
|
Bogen (Any sturdy tripod will work, but camera
movement elimination is essential) |
|
Light Source:
|
Calumet's "Hose Master" Mobile
Light Source |
|
Exposure:
|
20 seconds @ f16, ISO 200 |
Before you begin:
Set up your scene, still life, etc. Place your
camera at the desired position, check focus. Expose one frame
of your scene without any illumination from your light source,
and check the LCD for stray light that may have polluted the scene.
I do not want random light from doors or windows. The image on
the screen should be dark and well underexposed. As I create a
Light Painting, I will use the LCD screen as my light meter to
study where the light is recorded onto my image.
Now, lets make
an image:
I want this picture of a 1953 fly rod and fishing
net to have a soft, golden light feel. Light Painting is a perfect
technique for this.
I open the shutter for the 20 second exposure.
|
|
Step 1: I project 3 seconds of light onto
the fly. I then take 2 seconds to reposition my light source. |
|
|
Step 2: I project 3 seconds on the reel.
I then take 2 seconds to reposition my light source. |
|
|
Step 3: I project 4 seconds on the handle.
I then take 2 seconds to reposition my light source. |
|
|
Step 4: I project 4 seconds on the net. The
20 seconds is up and the shutter closes. |
|
|
This is the image, one frame lasting 20 seconds
with light illuminating the parts of the scene I want to reveal
out of darkness. |
Examine each image using the LCD screen, Nikon's
histogram and "flashing highlights". It will take several
exposures to achieve the correct distance/ intensity of light
and the total time/ time of exposure you illuminate each part
of the picture.
As you project the light you can achieve soft
light and edges by moving the light source slightly, or a hard
light and edges by holding the light source steady. I tend to
like a soft look so I constantly move the light source in a small
circular motion.
Here
is an example outdoors of a 30 second exposure at f4 and ISO 400
using two 2 million candle power portable flood lamps and walking
though nearly two acres of barn and coral. I set my exposure for
the sky so as to reveal both a silhouette of the Tetons and the
star field with the Big Dipper. This image was made one hour after
sunset.
Light painting is not a technique mastered overnight.
It will take many attempts and numerous hours to teach yourself
how to achieve correct exposures and a stylistic look.
| Each month I will be teaching techniques and sharing
information about photography. I hope to address not only
how images are made, but also aspects of business and the
industry. I hope you find the time to log on each month here
at "Workshop at the Ranch" If you have a question
or comment about an area of photography not covered yet in
Workshop at the Ranch, contact me
to suggest a topic for a future issue. |
* For additional examples of Light Painting,
go to Gallery West/
Light Painting
Past Workshop at the Ranch Issues
July, 2010
"Moto Light"
June, 2010
"West Coast Flash"

May, 2010
"Little Lights, BIG Arena - PART 2"

April, 2010
"Little Lights, BIG Arena - PART 1 "

March, 2010
"Workshop Wonders"
February, 2009
The D3s Advantage
January, 2010
"New Nikon D3s"
December, 2009
"Year in Review"

November, 2009
Return to Neverland

October, 2009
"Dramatic Gym Light"
September, 2009
"Saratoga Light"

August, 2009
"Graduation Class"

July, 2009
"FourSquare Sensation"

June, 2009
"Print On Demand publishing is for you"

May, 2009
"Sports Shooter Academy"

April, 2009
"My New Book is Available"

March, 2009
"The Nikon D3X...Part II "

February, 2009
"The Nikon D3X...Part I "

January, 2009
"Book Ideas Wanted"

December, 2008
Year in Review

November, 2008
Action with the SB-900 Speedlights

October, 2008
Lightpainting Under the Stars

September, 2008
Long Island Photo Workshop
August, 2008
"Best Buy Summit in San Francisco"
July, 2008
"Rich Clarkson's Sports Photography Workshop"

June, 2008
"Seven Photo Techniques"

May, 2008
"Learn Something New"

April, 2008
San Diego TREK

March, 2008
Joe McNally's book

February, 2008
The Nikon D300

January, 2008
Shoot From Where They Ain't (click here)
December, 2007
D3 Questions , Answers and Images

November, 2007
New Nikon D3

October, 2007
Football...A Retro Look

September, 2007
Get Out of the Box
August, 2007
Portrait Session with Frankie Herr

July, 2007
"Cowboy Up at the Double JJ Ranch"

June, 2007
"Light on the Run"

May, 2007
"SB800 Location Lighting in Mexico"

April, 2007
"Take it From the Top"

March, 2007
"Triple Play, Hat Trick, Trifecta" of Design

February, 2007
Principles of Success

January, 2007
Answers to Popular Questions

December , 2006
TREK to Peru and Machu Picchu

October, 2006
Creative Lightpainting (click
here)

September, 2006
Tandem SB800 Speedlight Set Up (click here)

August, 2006
Get Pumped Up with Light (click here)

July, 2006
Sports Action SB800 Lighting on Location (click here)

June, 2006
An Artistic Look At Derby Week (click here)

May, 2006
Lightpainting....from the Beginning (click here)

April, 2006
Workshop 40: Arches Mentor Series TREK

March, 2006
Workshop 39: Let the Games Begin...

February, 2006
Workshop 38: My Moody Blue Location Lighting Formula

January, 2006
Workshop 37: Answers to Popular Questions

December, 2005
Workshop 36: Year in Review...
My Favorite Equipment of 2005

November, 2005
Workshop 35: Building a Portrait

October, 2005
Workshop 34: Game Coverage.....My Way

September, 2005
Workshop 33: Equipment...and How It Can Help A Career

August, 2005
Workshop 32, Fill Flash....It's not Just For Portraits

July, 2005
Workshop 31, Rock On!

June, 2005
Workshop 30, Remote Cameras at Churchill Downs

May, 2005
Workshop 29, Arena Sport Strobe Lighting 102

April, 2005
Workshop 28, Arena Sport Strobe Lighting 101

March, 2005
Workshop 27: Nikon's D2X Digital Camera

February, 2005
Workshop 26: Steps to Success

January, 2005
Workshop 25: Own Your Images!

December, 2004
Workshop 24: Step-by-Step Lightpainting
November, 2004
Workshop 23: The Importance of Recognizing Light


September, 2004
Workshop 21: Covering The 2004 Summer Olympics
in Athens, Greece
(click here)

August, 2004
Workshop 20: Nikon SB-800 Speedlight
WIRELESS TTL LIGHTING
(click here)

July, 2004
Workshop 19: Location Portrait Lighting using
Nikon's NEW SB-800 Speedlights
(click here)

June, 2004
Workshop 18: Photography - Just Enjoy it!
(click here)

May, 2004
Workshop 17: Documenting the Masters
(click here)

April, 2004
Workshop 16: Scene Setters
(click here)

March, 2004
Workshop 15: THE JOY of FILL FLASH
(click here)

February, 2004
Workshop 14: Sports Strobe Photography
(click here)


December, 2003
Workshop 12: "Product Review - The Nikon D2H Digital Camera
(click here)

November, 2003
Workshop 11: "Be More Than a Fan"

October, 2003
Workshop 10: "More Porrage, Please"

September, 2003
Workshop 9: The Nikon COOLPIX 5700

August, 2003
Workshop 8: Using Wireless Remotes

July, 2003
Workshop 7: Approaching The Event

June, 2003
Workshop 6: To be noticed, to be published, to the marketplace

May, 2003
Workshop 5: What Drives an Image Part Two,
Slow Shutter Speed & Pan, (click here)
April, 2003
Workshop 4: What Drives an Image? (click here)

March, 2003
Workshop 3: Fill Flash Techniques (click here)

February, 2003
Workshop 2: Sports Arena Lighting (click here)

January,
2003
Workshop 1: Lightpainting (click here)
