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"New Nikon D3"
Workshop at the Ranch
November, 2007 Edition
Hi and welcome to this edition of Workshop at the Ranch.
Nikon's D3 digital SLR camera is the talk of the town and I
was thrilled to be one of the photographers hired to make images
for Nikon's D3 brochure, catalog and public relations pieces.
Let me say that I believe the Nikon D3 digital SLR camera will
encourage photographers to think in new and creative ways. There
are so many advancements in this camera that photographers of
all subject matter, whether it be photojournalism, sports, weddings,
landscapes, portraits, etc. will all benefit from the revolutionary
technology that the D3 offers. There are many articles and opinions
one can read online but only a few photographers have had the
opportunity to actually use the D3 on a daily basis. I have
spent the better part of the last 3 months using the D3 in a
variety of situations ranging from sports to landscapes to lightpaintings
I have made 24X36 print enlargements and had numerous pictures
published and the comments are always the same, ...REMARKABLE,
INCREDIBLE, UNBELIEVABLE. At Nikon's request I was asked to
photograph sports under difficult low light situations in gymnasiums,
ice halls and outdoor venues with the new D3. I photographed
several sports including ice hockey, basketball, motor sports,
water sports, gymnastics and figure skating, but for this month's
Workshop at the Ranch I chose to stay in season and showcase
some images I made during football game coverage over the past
few weeks. This month's On
The Road article will also address the Nikon D3 with both
images and commentary and will feature landscapes and Lightpaintings
made with the D3.
Before we look at some pictures I'd like to point out some of
the new features of the Nikon D3 digital SLR camera and inject
a short comment about each. My comments are my own and are based
on my experience using the D3 on location and assignments during
the last three months. With this in mind, let's find out what
people are claiming to be an extraordinary industry breakthrough
camera.
1. The
12.1 megapixel Nikon FX Format CMOS Imaging Sensor is key
to this camera's success. It says 12.1 megapixels but
the D3 clearly produces images with quality that one might
think came from a camera with 17 megapixels. There is much
more detail, clarity, depth of pixel and dynamic range than
any 12.1 megapixel camera has ever had before. I like the
fact that the file size has remained similar to a D2X but
the quality of the file has greatly increased and is evident
in both the print form and in published materiel. It is the
new Nikon FX Format CMOS imaging sensor that makes the next
breakthrough feature possible.
2. The
exceptionally clean high ISO sensitivity performance at up
to ISO 6400. UNBELIEVABLE! You have to see it to believe
it. The extremely low noise at ISO6400 is perhaps the calling
card of the Nikon D3. Making impossible situations possible
the ISO of 6400 is not just usable, it is BEAUTIFUL and easily
publishable for magazine covers and double page spreads. The
noise level is so low and minimal at ISO3200 and ISO6400 that
words like incredible or astonishing still fall short of truly
describing the quality of the image.
3.
Nine, YES!... 9 Frames per second of continuous shooting.
This fast frame rate often times makes the difference between
capturing the moment and going back to the editor empty handed.
4. 3D
Focus Tracking system is no less than remarkable. It
works! I thought that this 51 point focus tracking system
might become confused and follow other players with the same
uniform within the frame but that was not the case. Thanks
to the new Nikon Signature Recognition System and 3D Focus
Tracking picking up a wide receiver diving through the air
will be much easier to capture for all of us working on the
sidelines.
5. The
3 inch Super Density 920,000 dot VGA color LCD monitor.
This new super monitor makes viewing images in daylight possible.
It's like having Hi Def in the palm of your hand. The Zoom
tool for closer viewing of an image is fast and accurate making
it easy to determine the finer details of a picture. "Chimping",
as picture review is sometimes called amongst sports photographers,
will take on a whole new meaning with this Super Density LCD
monitor.
Dual Compact Flash Card Slots, Picture Control
Settings, Live View, etc., etc. I could talk forever but pictures
say it all. Let's have a look at some images captured with the
new Nikon D3.....
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#1. Night Game ... All sports
photographers are faced with more night time games under
the lights. The Nikon D3 camera with its extremely clean
high ISO capabilities of 1600, 3200, 6400 and yes, even
higher, makes both the indoor gymnasiums and outdoor nighttime
sports a joy to photograph. I had to see it to believe
it and I was amazed at the clean file and beautiful detail
I could capture at extremely high ISO levels. Nikon D3,
ISO1600, 1/400 at f5.6, Nikon 14-24mm f2.8 Lens, WB Auto,
Lexar 8G Flash Card.
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#2. Falcons Take the Field ...
Players running onto the field is always exciting. Usually
I would have used an SB800 Speedlight to help illuminate
the players in this dark area of the stadium but ISO3200
produced an almost noiseless image. The Auto White Balance
did a great job of keeping true color even with typical
college stadium lighting. Nikon D3, ISO3200, 1/500 at
f4, Nikon 14-24mm f2.8 Lens, 3D Focus Tracking, WB Auto,
Lexar 8G Flash card.
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#3. Sideline Thoughts ... The
bench area is certainly darker than the playing field.
Coach Warren is an African American with very dark skin
and is wearing a black shirt and black visor. The increased
dynamic range of the D3 easily reveals the shadow detail
and even the cotton mesh of his black shirt. Nikon D3,
ISO6400, 1/1000 at f4.0, Nikon 400mm G VR f2.8 Lens with
Nikon TC14E 1.4 Teleconverter, 3D Focus Tracking, WB Auto,
Lexar 8G Flash Card.
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Image #4A. Screen
Pass ... TCU has a strong air attack and quarterback Andy
Dalton throws the screen pass on a frozen rope to his
receivers. The advantage of ISO6400 allows me to use a
fast shutter speed of 1/1250 which stops the action, including
the ball, perfectly and I have more depth of field at
f5. Nikon D3, ISO6400, 1/1250 at f5, Nikon 400mm G VR
f2.8 Lens with TC14E 1.4 Teleconverter, 3D Focus Tracking,
WB Auto, Lexar 8G Flash Card.
Image #4B.
Screen Pass (close up cropped detail) ... I have cropped
the image for a closer study. This cropped enlargement
of the previous image illustrates the extremely low noise
performance at ISO6400. Clean, sharp and loaded with edge
detail even this extreme cropped image is publishable.
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Image #5A Quarterback Option
... The fact that the Nikon D3 produces a very clean low
noise image at ISO settings like 1600, 3200 and 6400 is
truly remarkable, but I didn't stop there ......... how
about ISO12,800! Yes, it is possible and it looks quite
good. Referred to in the manual as "Hi 1" the
noise produced is still well within reason. I found this
Hi 1 setting very acceptable and I will not hesitate using
the Hi 1 ISO12,800 setting for extremely dark venues like
a High School football field, baseball park, tennis court
or indoor gymnasium. It looks good, produces great print
quality and will publish in both newspapers and magazines
well. Exceeding the ISO6400 threshold is a reality with
this camera. As with most stadiums the light diminishes
near and into the end zones. For this image the Hi 1 ISO12,800
setting allowed me to maintain both a fast shutter speed
and strong depth of field despite the lower light level
near the end zone. Nikon D3, ISO12,800 (Hi 1), 1/1250
at f5.6, Nikon 400mm G VR f2.8 Lens with TC14E 1.4 Teleconverter,
WB Auto, Lexar 8G Flash Card.
Image #5B Quarterback Option
(close up cropped detail) ... I have cropped the image
for a closer study. This cropped enlargement of the previous
image illustrates that even at the "Hi 1" ISO12,800
setting the noise level is very acceptable and easily
suitable for publishing and print making. I have not used
the Hi 2 ISO25,600 setting ... not yet that is.
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I have heard some some photographers compare the noise
level of a Nikon D3 file at ISO6400 to resemble the ISO400
setting of a D2Xs. This is probably a fair statement, but,
my findings are that only the shadow areas resemble ISO400
and that the lit areas look even better. This brings up
a good question..."Why even use a lower ISO. Can I
shoot at ISO6400 all the time?" Well, even though the
quality at ISO6400 looks fantastic, there is a difference
between ISO200 and ISO6400. Given that the photographer
has made an accurate exposure, the Nikon D3's ISO200-800
is absolutely stunning, just STUNNING and looks better than
low ISO settings in a D2Xs. The D3's ISO1000-1250 is also
beautiful and virtually noise free with only a slight touch
of noise in the deep shadows but even that slight amount
of noise is hardly noticeable. ISO1600 has incredibly low
noise and ISO1600 is cleaner than 3200 and 3200 is cleaner
than 6400, the differences are minimal as you dial up from
1600 to 3200 and from 3200 to 6400. But, and let me again
emphasis this point, the D3 file at ISO6400 resembles the
ISO400 setting in a D2Xs. My thoughts are if a lighting
situation calls for a lower ISO then use a lower ISO because
the quality of the file will blow you away, but when the
lighting situation calls for a higher ISO then use a higher
ISO because the quality will also blow you away. Just because
ISO3200 and 6400 look great even in bright sunshine should
not detour the photographer from using a lower ISO like
200, 400 or even 800 when it is called for because it does
look better than 1600, 3200 or 6400. Hey! Read that again!,
"a LOWER ISO of 400 or even 800," that's how astonishing
the D3 file looks! With the Nikon D3 camera ISO400 and ISO800
will now be considered LOW ISO settings.
But, because ISO3200 and 6400 does look so good, think about
this.............
The fact that ISO3200 and ISO6400 look great even in bright
sunshine opens up the doors of possibility. Think of it,
Priority modes take on a new dimension. Contending with
the football stadium shadow is aggravating at best for all
of us who shoot sports. The play starts in brilliant sunshine
and ends in the shadow of the stadium which is almost 4
stops darker and for some reason it's always the key play
of the game. Solution, Example #1: Using Shutter Priority
mode on a sunny day I can set my shutter speed at 1/1250
to stop the action while setting my ISO at 3200 for the
possibility of the play moving into the stadium shadow and
still have uncompromised quality. My aperture adjusts automatically
to f22 for the bright sunshine and as a play moves from
the sunshine to the stadium shadow my aperture will adjust
automatically to f6.3. But, it gets even better. Example
#2: The D3 allows me to activate an Auto ISO mode which
allows me to set my shutter speed and aperture at specific
settings, then the ISO will adjust automatically as the
light changes. In other words, if I set my shutter and aperture
accordingly at 1/1250 at f6.3 then the auto ISO adjusts
automatically for the lighting condition. The play begins
in the sunlight at auto ISO250 with stunning quality. The
play progresses and ends in the shadow of the stadium and
my shutter and aperture remain where I set them, 1/1250
at f6.3 but my auto ISO has automatically adjusted for the
dark stadium shadow to ISO3200 with minimal noise increase.
YES! The entire play will be perfectly exposed start to
finish. I have stunning quality in the sunlit images at
the start of the play and uncompromised quality in the dark
stadium shadow images at the end of the play. So many great
pictures are lost during the exposure transition a football
play makes from sunshine to shadow or as clouds pass over
head. This is a real advantage in my opinion and is why
I say that photographers will be encouraged to think in
new and creative ways with the Nikon D3.
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#6. Foul Weather Fan ... Although
the match up with Denver vs Oakland was a Sunday afternoon
game, those who were there will echo my opinion that it
was one of the darkest day games in recent NFL history ...
just what I wanted. This fan was enjoying the game when
lightning inspired officials to delay the game until a micro
burst thunder storm passed through the Denver area. The
over cast conditions were dark enough that ISO1000 was needed
for this on the run fan portrait as I ran for the tunnel
to escape the lightning. Nikon D3, ISO1000, 1/640 at f5,
Nikon 24-70mm f2.8 Lens, WB 4000K, One Nikon SB800 with
Warming Gel at power output of +0.7 hand held as a remote
off camera flash, Nikon SU800 Commander to trigger the Remote
SB800, Lexar 8G Flash Card. |
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Image #7A. Scramble ... Raiders'
quarterback, Josh McCowen was on the run looking for receivers
several times during the course of the game. I had learned
a lot about the D3's low noise capabilities at high ISO
levels during the Air Force night game and so I wasted
no time in dialing up to ISO6400. With some ambient light
from the overcast skies combined with the stadium lights
I knew that ISO6400 would be very clean and allow me to
increase my shutter speed to 1/1600 to freeze the action
and set my aperture at f7.1 for more depth of field. Beautiful
results. Even the shadows have plenty of detail. The 3D
Focus Tracking system worked flawlessly and followed my
subject both in the open field and when surrounded by
teammates. I could even recompose the image while my subject
was on the run as the focus point tracked McCowen perfectly.
For this image I let my subject run into the left side
of the frame leaving plenty of room for an editor to place
copy yet the image has so much quality that it could easily
be cropped as a tight vertical for a cover. If only it
was Kenny Stabler. Nikon D3, ISO6400, 1/1600 at f7.1,
Nikon 400mm f2.8 G VR Lens with TC14E 1.4 Teleconverter,
3D Focus Tracking, WB Auto, Lexar 8G Flash Card.
Image #7B. Scramble (close
up cropped detail) ... I have cropped the image for a
closer study. The high ISO of 6400 looked very clean throughout
the image and allowed me to use an aperture setting of
f7.1 creating a broader depth of field. This cropped detail
of the previous image illustrates the beautiful edge detail
and minimal noise even when using ISO6400. The stitching
on the laces of the football are visible and McCowen has
a small blood blister under his index finger nail. That
is fabulous detail provided by the new 12.1 megapixel
Nikon FX Format CMOS Imaging Sensor.
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Image #8A. Head Strong ...
Denver running back Mike Bell finds yardage inside the
5 yard line difficult to acquire in the fourth quarter.
Thanks to the lightning storm delay it is now early evening
and the available light in the sky is providing very little
additional illumination to the field. The stadium lights
are dominating my exposure as I can now see the shadow
of the face mask on a player's cheek and nose. This play
is near the goal line where the stadium light tends to
diminish. Using ISO6400 and the 3D Focus Tracking system
I was able to follow Bell through the line of Oakland
defensemen and Denver blockers. The file is very clean
with only minimal noise and even that low level of noise
is in the shadow area. It is amazing! Nikon D3, ISO6400,
1/1250 at f6.3, Nikon 400mm f2.8 G VR Lens with TC14E
1.4 Teleconverter, 3D Focus tracking, WB Auto, Lexar 8G
Flash Card.
Image #8B. Head Strong (close
up cropped detail) ... I have cropped the image for a
closer study. The cropped enlargement shows great details
with all the trademarks, logos, stitching and mesh jersey
material clearly visible. The noise is minimal even in
the shadow areas and the 3D Focus Tracking has stayed
with Bell throughout the play.
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Image #9A. The Raider Image
... Oakland's left guard Robert Gallery's long hair and
lengthy beard speaks to the Raider image and Oakland football
history. I photographed Gallery during the 4th quarter
in the bench area where the stadium light tends to fall
off. Nikon D3, ISO6400, 1/1000 at f6.3, Nikon 400mm f2.8
G VR Lens with TC14E 1.4 Teleconverter, 3D Focus Tracking,
WB Auto, Lexar 8G Flash Card.
Image #9B. The Raider Image
(close up cropped detail) ... I have cropped the image
for a closer study. This cropped detail enlargement again
illustrates the quality of image that the Nikon D3 produces
at the high ISO of 6400. Usually the sports photographer
is working with the widest open aperture setting possible
during a game under the lights. A wide open aperture has
a very short depth of field and with a 400mm or 600mm
lens this short depth of field might only be a few inches
of focus on my subject. I could have reduced the ISO to
a lower setting but I wanted an aperture that would give
me more depth of field so that not only would his left
eye be in focus but his right eye, beard and face mask
as well. There is a difference in noise level from 3200
to 6400 but it is not that significant. This cropped enlargement
is easily suitable for publishing, even on the cover.
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This Workshop at the Ranch article can only
whet the appetite of a sports photographer who covers night time
sports events and indoor arena and gymnasium competitions on
a regular basis. You must see it to believe it when it comes
to the remarkably clean D3 image at high ISO settings of ISO1600,
3200 and 6400. The precise accuracy of the 3D Focus Tracking
System and the incredible pixel quality, detail and dynamic
range that this camera offers is outstanding. These industry
breakthroughs plus a blazing 9 frames/second continuous shooting
make this the most complete sports photojournalism camera ever,
but the possibilities extend beyond sports coverage and to all
subjects of photography. Wedding photographers are always contending
with difficult situations involving candlelight and dark reception
halls. Nature and Landscape photographers often times pack up
and leave the location when it is too overcast or windy but
now with clean high ISO settings faster shutter speeds can be
used. Wildlife photographers work with extremely long lenses
at dawn and dusk and require both clean high ISO capabilities
and 9 frames/second. All these situations can now be thought
of as potentially great picture opportunities when using the
Nikon D3. Photographers will now have the freedom to think in
new and creative ways. I have already purchased a Nikon TC17E
1.7 Teleconverter and a Nikon 70-300mm f4-f5.6 G VR Zoom Lens
because the higher aperture settings will become more applicable
thanks to the minimal noise level at higher ISO settings. There
are many options that the photographer now has the freedom to
consider thanks to the D3.
It is my opinion that the Nikon D3 digital SLR camera will be
viewed as an industry innovation that changed the way photographers
produce pictures. Like the development of the Motor Drive in
the 1960s, Auto Focus in the 1980s and the Digital Revolution
we enjoy today the Nikon D3 will be spoken of as a landmark
development in photographic history. I will be rethinking new
strategies with some of the events I cover. I have already rescheduled
some events that I said I would never return to because of such
dreadful lighting conditions but now know that the job can be
done with quality. It's a whole new world out there with the
Nikon D3 and I'm excited about it.
See you next time on Workshop at the Ranch. ..........Adios,
Dave
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