Tandem SB800 Speedlight Set Up
Workshop at the Ranch
September, 2006 Edition
Hi and welcome to this edition of Workshop at
the Ranch. I have been using the Nikon SB800 Speedlight system
for over two years now and I have written several articles illustrating
their usefulness in the field (NOTE: see previous editions of
WATR and OTR for SB800 instruction.) I have written about how
I use two SB800s ( TANDEM ) banded together to form one easy handheld
unit at sports events and location feature assignments. I have
received more emails regarding the "Tandem" SB800s and
"how to put them together" than any other technique
question. So, for those who have asked, here is what I do ...........
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Image
#1 TANDEM SB800 Speedlights ... Simply take two SB800s and
place them one on top of the other. I place a small foam
pad in between the two units to prevent them from being
scratched. I use two thick rubber bands to hold the two
SB800s together. The two SB800s are not electrically connected
in any way. They work independently performance wise and
are placed on top of each other to form an easier unit that
I can hold in my left hand while shooting with the camera
in my right hand. I like to use two SB800s in Tandem instead
of one because I get twice the power and half the recycle
time. Make sure the sensors are on the same side. Make sure
that you do not cover up the sensors and that the sensors
are facing the Master SB800 or the SU800 on the hotshoe
while you are hand holding the Tandem Speedlights. If I
want to use the Warming Gels (orange gels) that come standard
with each SB800, I usually select a WB of 3600K, a very
cool blue WB setting (NOTE: 2006 FebruaryWATR ... My Moody
Blue Location Lighting Formula.) In this Image notice the
color of my hand is a cool blue because of the 3600K WB.
The Warming Gels will counter the cool blue WB and warm
up my subject to a beautiful skin tone as illustrated in
image #2. I set the Tandem SB800s on the i-TTL mode. The
Tandem SB800s are in the Remote setting. I set the zoom
of the Speedlight according to how much spread of light
I want. Sometimes I zoom the Speedlights to 85mm or 105mm
and sometimes I set the zoom wider at 50mm or 24mm. When
setting my exposure for this stylized lighting situation
I like to underexpose my background, usually by 1 stop.
This usually will cause my subject to be in shadow or a
Silhouette. The light from the SB800s will reveal the subject
from shadow or silhouette and give me a dramatically lit
subject. Use the LED screen on back of your camera and the
Flashing Highlights setting and "Take a Shot, Take
a Look" to determine your background exposure. Then
turn on your SB800s, Take a Shot, Take a Look and determine
the power output settings of the Tandem SB800s that you
need to reveal your subject by dialing the power output
up or down depending on what looks good to you. I cannot
emphasis the concept of trial and error and experimentation
more then when learning lighting.
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Image #2 Hand Held Tandem SB800 ... I'm holding the Tandem
SB800s with warming Gels in my left hand. I make sure I do
not cover up or block the sensors which are faced towards
the camera with the Master SB800 or an SU800 Commander. I
hold the tandem unit high enough to illuminate my subject
through the face mask while I hold my camera in my right hand.
The WB setting of 3600K blues the background while the warming
gels on the tandem SB800s counters the blue and warms my subject
to a pleasing skin tone. Nikon D2X, ISO100, 1/15 at f11, Nikon
12-24mm Lens, WB 3600K, Rear Curtain Sync, Two SB800s Tandem
with Warming Gels power output +1.7, one SB800 as the Master,
Lexar 4G Flash Card. |
Image #3 Keep'em Close ... I like to keep the SB800s
close to my subject for a dramatic lighting effect. Too
often, photographers tend to place their lights far away
from their subject which creates a flatter light. I like
the Nikon SB800s because they are so portable and easily
hand held.. As with this image, my assistant followed the
subject with the Speedlights on the fly. This mobility is
especially useful when shooting a pre-game sport feature.
The i-TTL keeps the power output perfect even though the
distance from the Speedlights to my subject varies. These
two sets of Tandem SB800s are only 5 feet away from my subject
and are hand held by my assistant. Nikon D2X, ISO100, 1/3200
at f5, Nikon 12-24mm Lens, WB 3600K, Four SB800s (2 sets
of 2 Tandems) with Warming Gels power output +1.7, One SB800
as the Master, Two Bogen 175F Clamps attached to a Bogen
Lightstand, Lexar 4G Flash Card.
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Image #4 Bogen 175F Clamps ... It can be helpful to mount
the SB800s on a Bogen 175F clamp. This insures that the sensors
will be in clear view of the Master on the hotshoe of the
camera whether attached to a lightstand or, as in this image,
handheld by an assistant. Nikon D2X, ISO100, 1/1600 at f5.6,
Nikon 17-55mm Lens, WB 5600K, Four SB800s (2 sets of 2 Tandems)
power output +1.3, Two Bogen 175F Clamps, One SU800 Comander,
Lexar 4G Flash Card. For this image I did not use any warming
gels and chose a WB of 5600K which is a daylight setting with
a slight touch of coolness.
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The Nikon SB800 Speedlight is one of the
most useful pieces of equipment to come along in years. I take
them on every assignment and find new and exciting applications
for them each time I shoot. The tandem use of two SB800s provides
twice the power which in turn provides half the recycle time.
I use the Energizer e2 Lithium Batteries. I bring a couple of
Bogen 175F clamps with me to secure the SB800s to a lightstand,
a fence, a railing, a chair etc. or to have an assistant handhold
them.
SPECIAL NOTE:
Many of you have
asked what workshops I will be teaching at this fall. If
you are interested in attending a workshop that I will be
teaching at, here are a few choices ...........
October 1-6 ... Rich
Clarkson's Photography at the Summit, Jackson Hole, Wyoming.
www.richclarkson.com
October 20-22 ...
American PHOTO Magazine's Mentor Series TREK in Kentucky.
www.mentorseries.com
November 10-17 ...
American PHOTO Magazine's Mentor Series TREK in Peru. www.mentorseries.com
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I hope you all have enjoyed this edition of Workshop
at the Ranch. .............. Adios, Dave
Past Workshop at the Ranch Issues
July, 2010
"Moto Light"
June, 2010
"West Coast Flash"

May, 2010
"Little Lights, BIG Arena - PART 2"

April, 2010
"Little Lights, BIG Arena - PART 1 "

March, 2010
"Workshop Wonders"
February, 2009
The D3s Advantage
January, 2010
"New Nikon D3s"
December, 2009
"Year in Review"

November, 2009
Return to Neverland

October, 2009
"Dramatic Gym Light"
September, 2009
"Saratoga Light"

August, 2009
"Graduation Class"

July, 2009
"FourSquare Sensation"

June, 2009
"Print On Demand publishing is for you"

May, 2009
"Sports Shooter Academy"

April, 2009
"My New Book is Available"

March, 2009
"The Nikon D3X...Part II "

February, 2009
"The Nikon D3X...Part I "

January, 2009
"Book Ideas Wanted"

December, 2008
Year in Review

November, 2008
Action with the SB-900 Speedlights

October, 2008
Lightpainting Under the Stars

September, 2008
Long Island Photo Workshop
August, 2008
"Best Buy Summit in San Francisco"
July, 2008
"Rich Clarkson's Sports Photography Workshop"

June, 2008
"Seven Photo Techniques"

May, 2008
"Learn Something New"

April, 2008
San Diego TREK

March, 2008
Joe McNally's book

February, 2008
The Nikon D300

January, 2008
Shoot From Where They Ain't (click here)
December, 2007
D3 Questions , Answers and Images

November, 2007
New Nikon D3

October, 2007
Football...A Retro Look

September, 2007
Get Out of the Box
August, 2007
Portrait Session with Frankie Herr

July, 2007
"Cowboy Up at the Double JJ Ranch"

June, 2007
"Light on the Run"

May, 2007
"SB800 Location Lighting in Mexico"

April, 2007
"Take it From the Top"

March, 2007
"Triple Play, Hat Trick, Trifecta" of Design

February, 2007
Principles of Success

January, 2007
Answers to Popular Questions

December , 2006
TREK to Peru and Machu Picchu

October, 2006
Creative Lightpainting (click
here)

September, 2006
Tandem SB800 Speedlight Set Up (click here)

August, 2006
Get Pumped Up with Light (click here)

July, 2006
Sports Action SB800 Lighting on Location (click here)

June, 2006
An Artistic Look At Derby Week (click here)

May, 2006
Lightpainting....from the Beginning (click here)

April, 2006
Workshop 40: Arches Mentor Series TREK

March, 2006
Workshop 39: Let the Games Begin...

February, 2006
Workshop 38: My Moody Blue Location Lighting Formula

January, 2006
Workshop 37: Answers to Popular Questions

December, 2005
Workshop 36: Year in Review...
My Favorite Equipment of 2005

November, 2005
Workshop 35: Building a Portrait

October, 2005
Workshop 34: Game Coverage.....My Way

September, 2005
Workshop 33: Equipment...and How It Can Help A Career

August, 2005
Workshop 32, Fill Flash....It's not Just For Portraits

July, 2005
Workshop 31, Rock On!

June, 2005
Workshop 30, Remote Cameras at Churchill Downs

May, 2005
Workshop 29, Arena Sport Strobe Lighting 102

April, 2005
Workshop 28, Arena Sport Strobe Lighting 101

March, 2005
Workshop 27: Nikon's D2X Digital Camera

February, 2005
Workshop 26: Steps to Success

January, 2005
Workshop 25: Own Your Images!

December, 2004
Workshop 24: Step-by-Step Lightpainting
November, 2004
Workshop 23: The Importance of Recognizing Light


September, 2004
Workshop 21: Covering The 2004 Summer Olympics
in Athens, Greece
(click here)

August, 2004
Workshop 20: Nikon SB-800 Speedlight
WIRELESS TTL LIGHTING
(click here)

July, 2004
Workshop 19: Location Portrait Lighting using
Nikon's NEW SB-800 Speedlights
(click here)

June, 2004
Workshop 18: Photography - Just Enjoy it!
(click here)

May, 2004
Workshop 17: Documenting the Masters
(click here)

April, 2004
Workshop 16: Scene Setters
(click here)

March, 2004
Workshop 15: THE JOY of FILL FLASH
(click here)

February, 2004
Workshop 14: Sports Strobe Photography
(click here)


December, 2003
Workshop 12: "Product Review - The Nikon D2H Digital Camera
(click here)

November, 2003
Workshop 11: "Be More Than a Fan"

October, 2003
Workshop 10: "More Porrage, Please"

September, 2003
Workshop 9: The Nikon COOLPIX 5700

August, 2003
Workshop 8: Using Wireless Remotes

July, 2003
Workshop 7: Approaching The Event

June, 2003
Workshop 6: To be noticed, to be published, to the marketplace

May, 2003
Workshop 5: What Drives an Image Part Two,
Slow Shutter Speed & Pan, (click here)
April, 2003
Workshop 4: What Drives an Image? (click here)

March, 2003
Workshop 3: Fill Flash Techniques (click here)

February, 2003
Workshop 2: Sports Arena Lighting (click here)

January,
2003
Workshop 1: Lightpainting (click here)
