Rock On!
Workshop at the Ranch
July, 2005 Edition
Hi and welcome to this edition of
Workshop at the Ranch. I am always looking for something new when
it comes to making pictures and expanding my photographic horizon.
Rock climbing was not a venue I had in mind but I'm all "AMPED
UP" thanks to the enthusiasm of fellow photographer Keith
Ladzinski. Keith is a very talented photographer who covers a
variety of outdoor adventure sports. During lunch the other day
he mentioned something about Night Rock Climbing and the wheels
began turning in my head.....Keith's expertise of both photography
and climbing inspired me to say...OK.....Let's do it! So, here's
a look..........
Image #1 Step 1.....(Image Captured
at 7:45pm) I think "crazy" best describes what
these climbers are doing after the sun goes down. Brian
is one of the regions strongest climbers and was my subject
for the evening. We arrived on location about 30 minutes
before sunset and chose an area that offered me some access
to setup my Nikon D2X on a Bogen Tripod and position my
Nikon SB800 Speedlights. I used a Nikon 17-55mm Lens and
composed the scene. I set the exposure for the sky and
used a WB of 3700K. The 3700K WB would help add a cool
blue tone to the Eastern sky. As the sun set behind me
it became twilight. I will set the D2X on Long Exposure
Noise Reduction mode. I have an exposure of ISO 100, 1
second at f9. I have created a silhouette of the rock
and nothing more. Now I'm ready for Brian to climb..
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Image #2 Step 2.....(Image Captured
at 8:00pm) My Nikon D2X is about 20 feet away from the rock
that Brian will climb. I have set my exposure for the sky
(slightly darker than image #1 because the sun continues to
set), thus creating a silhouette. I will now add my own light
to reveal my subject by using the Nikon SB800 Speedlight system.
I will use two Remote SB800s that I have attached to my Bogen
Monopod using the Bogen 175F Clamp (a.k.a. the Justin Clamp).
I want to locate my SB800s to the left and above Brian so
as to have some deep shadow areas on the rocks creating a
dramatic look to the scene. I will point one SB800 at the
rock and the other SB800 at Brian. I have a third SB800 that
is the MASTER and is located on the hotshoe of my D2X (this
would be a good time to review some of the past editions of
Workshop at the Ranch for examples and setup information regarding
the Nikon SB800 Speedlight systems). I will also use the Warming
Gel that comes with the SB800 kit to add warmth to the rocks
and Brian (remember I have chosen a WB of 3700K to add a cool
blue tone to the sky...the warming gel will offset the cool
tone and warm up Brian and the rock). I will need to climb
up to my position to Brian's left and lift up the monopod
with my SB800s to achieve the angle of light I want. I will
need to set the camera on SELF TIMER to have enough time to
trigger the camera and get into my position before the shutter
is released.....10 seconds was enough time for me position
myself. The remote SB800 pointed at the rock is about 4 feet
from the rock and is set at +0.7 while the remote SB800 pointed
at Brian is about 12 feet from him and is set at +2.7. Both
SB800s are zoomed to 105mm. Remember, I do not want light
spilling everywhere and the zoom feature helps me channel
the light the way grids or barndoors would on a studio strobe.
I like the image very much but feel there is more I can do
to really tell the story of night rock climbing. |
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Image #3 Step 3.....(Image Captured
at 8:30pm) So far, so good but l want to really illustrate
Night Rock Climbing to the viewer I will need to bring more
elements to the image. As night falls my sky exposure will
continually change. I must add more time and a wider aperture
to compensate for the darkening sky. I also realize that
with a longer exposure I will be able to utilize some lightpainting
to reveal the rock spire in the background. The longer exposure
and wider aperture will also reveal the stars in the sky
above Brian. In just 30 minutes our exposure has changed
dramatically. My Nikon D2X has been repositioned about 12
inches to the right so as to separate the rock and spire
a little more. My D2X is now set at ISO100, 30 seconds at
f4, WB3700K and the Self Timer is set at 10 seconds. My
remote SB800s are set the same as the previous image, +0.7
on the rock and +2.7 on Brian. I decided to zoom in slightly
with my 17-55mm lens to remove the tree in the lower right-hand
corner. I have set my 2 Million Candle Power Vector Sport
Spot about 50 feet away from the camera and I am ready to
shoot. I press the shutter release button and the Self Timer
begins. It takes me 10 seconds to climb to my position,
hold up the monopod with my SB800s and ......."CLICK
/ FLASH," the SB800s flash as the shutter is released
and my 30 second exposure time begins. It takes me 15 seconds
to climb down and walk over to the Vector Sport Spot. I
placed a 20 degree grid over the front of the Sport Spot
and LightPaint the rock spire that is about 50 yards away
for the remaining 15 seconds of my 30 seconds of exposure
time. "CLICK" the shutter closes and the one frame
is complete. The star field above Brian is clearly visible
and the spire revealed from its silhouette. The SB800s with
the warming gel did a nice job of lighting the rocks and
Brian. I love this image and see great potential for future
pictures of this exciting sport.
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I hope you have enjoyed
this edition of Workshop at the Ranch. I was not on assignment
for this shoot but was compelled to expand my photographic knowledge
when Keith told me about this exciting new sport. I believe all
photographers need to experiment and stretch themselves in an
effort to learn and improve. Thanks Keith for sharing your time
and expertise during a great evening of learning and picture making.
See you all next time here at
Workshop at the Ranch.............................Adios,
Dave
WORKSHOPS and PRESENTATION Schedule
June 10-15, 2009 ... Mentor Series Trek to Arches Nat. Park and Canyonlands Nat. Park, Utah. www.mentorseries.com
June 28, - July 3, 2009 ... Rich Clarkson Sports Photography Workshop, Colorado Springs. www.sportsphotographyworkshop.com
August 3-7, 2009 ... Long Island Photo Workshop, a location lighting workshop www.liphotoworkshop.com
August 14-16, 2009 ... Mentor Series Trek to Colorado www.mentorseries.com
September 27-October 2, 2009 ... Photography at the Summit, Jackson Hole, Wyoming. www.photographyatthesummit.com
October 25-30, 2009 ... Travel Photography at the Summit, Santa Barbara, Calif. www.photographyatthesummit.com |
Past Workshop at the Ranch Issues
June, 2009
"Print On Demand publishing is for you"

May, 2009
"Sports Shooter Academy"

April, 2009
"My New Book is Available"

March, 2009
"The Nikon D3X...Part II "

February, 2009
"The Nikon D3X...Part I "

January, 2009
"Book Ideas Wanted"

December, 2008
Year in Review

November, 2008
Action with the SB-900 Speedlights

October, 2008
Lightpainting Under the Stars

September, 2008
Long Island Photo Workshop
August, 2008
"Best Buy Summit in San Francisco"
July, 2008
"Rich Clarkson's Sports Photography Workshop"

June, 2008
"Seven Photo Techniques"

May, 2008
"Learn Something New"

April, 2008
San Diego TREK

March, 2008
Joe McNally's book

February, 2008
The Nikon D300

January, 2008
Shoot From Where They Ain't (click here)
December, 2007
D3 Questions , Answers and Images

November, 2007
New Nikon D3

October, 2007
Football...A Retro Look

September, 2007
Get Out of the Box
August, 2007
Portrait Session with Frankie Herr

July, 2007
"Cowboy Up at the Double JJ Ranch"

June, 2007
"Light on the Run"

May, 2007
"SB800 Location Lighting in Mexico"

April, 2007
"Take it From the Top"

March, 2007
"Triple Play, Hat Trick, Trifecta" of Design

February, 2007
Principles of Success

January, 2007
Answers to Popular Questions

December , 2006
TREK to Peru and Machu Picchu

October, 2006
Creative Lightpainting (click
here)

September, 2006
Tandem SB800 Speedlight Set Up (click here)

August, 2006
Get Pumped Up with Light (click here)

July, 2006
Sports Action SB800 Lighting on Location (click here)

June, 2006
An Artistic Look At Derby Week (click here)

May, 2006
Lightpainting....from the Beginning (click here)

April, 2006
Workshop 40: Arches Mentor Series TREK

March, 2006
Workshop 39: Let the Games Begin...

February, 2006
Workshop 38: My Moody Blue Location Lighting Formula

January, 2006
Workshop 37: Answers to Popular Questions

December, 2005
Workshop 36: Year in Review...
My Favorite Equipment of 2005

November, 2005
Workshop 35: Building a Portrait

October, 2005
Workshop 34: Game Coverage.....My Way

September, 2005
Workshop 33: Equipment...and How It Can Help A Career

August, 2005
Workshop 32, Fill Flash....It's not Just For Portraits

July, 2005
Workshop 31, Rock On!

June, 2005
Workshop 30, Remote Cameras at Churchill Downs

May, 2005
Workshop 29, Arena Sport Strobe Lighting 102

April, 2005
Workshop 28, Arena Sport Strobe Lighting 101

March, 2005
Workshop 27: Nikon's D2X Digital Camera

February, 2005
Workshop 26: Steps to Success

January, 2005
Workshop 25: Own Your Images!

December, 2004
Workshop 24: Step-by-Step Lightpainting
November, 2004
Workshop 23: The Importance of Recognizing Light


September, 2004
Workshop 21: Covering The 2004 Summer Olympics
in Athens, Greece
(click here)

August, 2004
Workshop 20: Nikon SB-800 Speedlight
WIRELESS TTL LIGHTING
(click here)

July, 2004
Workshop 19: Location Portrait Lighting using
Nikon's NEW SB-800 Speedlights
(click here)

June, 2004
Workshop 18: Photography - Just Enjoy it!
(click here)

May, 2004
Workshop 17: Documenting the Masters
(click here)

April, 2004
Workshop 16: Scene Setters
(click here)

March, 2004
Workshop 15: THE JOY of FILL FLASH
(click here)

February, 2004
Workshop 14: Sports Strobe Photography
(click here)


December, 2003
Workshop 12: "Product Review - The Nikon D2H Digital Camera
(click here)

November, 2003
Workshop 11: "Be More Than a Fan"

October, 2003
Workshop 10: "More Porrage, Please"

September, 2003
Workshop 9: The Nikon COOLPIX 5700

August, 2003
Workshop 8: Using Wireless Remotes

July, 2003
Workshop 7: Approaching The Event

June, 2003
Workshop 6: To be noticed, to be published, to the marketplace

May, 2003
Workshop 5: What Drives an Image Part Two,
Slow Shutter Speed & Pan, (click here)
April, 2003
Workshop 4: What Drives an Image? (click here)

March, 2003
Workshop 3: Fill Flash Techniques (click here)

February, 2003
Workshop 2: Sports Arena Lighting (click here)

January,
2003
Workshop 1: Lightpainting (click here)
