Hi and welcome to this edition of Workshop at the Ranch.
One of my favorite workshops of the year has just concluded,
Rich Clarkson's Sports Photography Workshop in Colorado Springs,
Colorado. With the United States Olympic Training Center (USOTC)
as the workshop's primary venue the class of 60 participants
had the opportunity to photograph some Olympians on their way
to Beijing, China for the 2008 Summer Olympic Games. Also in
the mix of venues were Coors Field and its MLB team the Colorado
Rockies, Motocross at Wild Rat Race Track, White Water Kayaking,
Equestrian competition, and a variety of other sports and athletic
venues along the front range of the Rocky Mountains.
Perhaps no other workshop offers what Rich Clarkson's can (www.richclarkson.com).
Rich, and the workshops director, Brett Wilhelm, year in and
year out put together a program that is a complete package of
education for those interested in furthering the sports photography
skills, lighting techniques, business knowledge, and networking.
This years faculty made up of photographers and editors included:
Damian Strohmeyer Sports Illustrated, Porter Binks Sports Illustrated,
Mark Terrill AP, Charles Arbogast AP, Mark Reis Colorado Springs
Gazette, Elsa Garrison Getty, Brad Smith New York Times, Jeff
Jacobsen U of Kansas, Joey Terrell Freelance Golf Digest, Jim
Sugar National Geographic, Lucas Gilman Freelance ESPN, Bob
Smith Freelance Images of Nature, and me. Nikon Professional
Services sent in Ronal Taniwaki and Mark Kettenhofen along with
several trunks of gear including plenty of Nikon D3s, D300s,
SB800s and all the lenses a sports photography workshop can
possibly use. And if that's not enough for you, Roberts Distributors,
Bogen, Dyna-Lite, Pocket Wizard, EPSON, Profoto, Aperture and
LEXAR were also on hand to lend gear and accessories. WOW! ...workshop
nirvana. The opportunity to be part of this photographic educational
extravaganza is the highlight of the year for both students
and staff.
My job, like all the staff, is to help those who attend learn
about photography, sports, and business in any way possible.
Learning about lighting is a big draw for the workshop. While
Lucas Gilman handled daily classes with Sport Strobes and Arena
Lighting at the USOTC Aquatic Center, Joey Terrill taught daily
programs with step by step instruction on Portraiture lighting
with Olympic athletes. My week was a real variety of instruction
that included an Arena Lighting "how to" presentation,
an Olympic presentation, a Motocross venue full of great action
opportunities and some instructional classes on lighting using
the Nikon SB800 Speedlights. And although my responsibility
is instructing and helping the participants I did take a few
pictures along the way ........ I just couldn't help myself.
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Image
#1 Andy's Abs ...
I had arranged to have professional body builder Andy
Haman, Mr. Colorado, join our class on lighting using
the Nikon SB800 Speedlights. While Andy has spent years
sculpting his body for competition our class would learn
to sculpt him with light. We started with only one SB800
and step by step worked our way up to four. Along the
way I demonstrated how I build a lit portrait and arrive
at a combination of Speedlights that included a strong
image of Andy's incredible abdominal muscles. At one point
during the class a student asked "how many sit-ups
do you do each day?" ... I answered "none, but
Andy might do a few." Nikon D3, ISO1000, 1/60 at
f9, Nikon 24-70mm Lens, WB 6250K, 4 Nikon SB800 Speedlights,
2 were slightly higher than Andy's height and almost directly
profile to him on his left and right and 2 were on the
floor about 3/4 angle behind him both left and right.
I used the Warming Gels that come with the Speedlights
on the SB800s to the left of the frame (both the high
and the floor Speedlights). The high and floor speedlights
on the right did not have warming gels. Power Output was
-1.3 on the high left and floor right Speedlights, -1.0
on the high right and -0.3 on the floor left. The floor
left SB800 also had a LumiQuest Snoot. I really like the
ultra warm skin tone that the warming gels and 6250K White
Balance gave. Nikon SU800 Commander, Lexar 8G Flash Card.
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#2 Body Architecture
... With the indoor studio location portion of the class
complete we moved to the outdoors and a view of the
Marriott's architectural design. It is about 5:00 pm
and the sun is still shining. I decided to teach my
Moody Blue Formula (February Workshop at the Ranch 2006.)
I have underexposed the background by about 1 and 2/3
stops. Then I revealed Andy using 2 Nikon SB800 Speedlights
each with a warming gel and a power output of +3.0.
The Speedlights are hand held by a student standing
on the wall and just out of the left side of the frame.
I want the Speedlights close to my subject so I had
the student step into the frame and then back out until
he was just out of the left edge of the frame. The 2
Speedlights were rubber banded together in tandem to
make an easy to hold unit. I asked the student to hold
the tandem Speedlights higher than Andy's face and slightly
in front of him so the warm light would cover the upper
2/3 of Andy's body. Nikon D3, ISO200, 1/500 at f6.3,
Nikon 24-70mm Lens, WB 3030K, 2 Nikon SB800 Speedlights
each with a warming gel and power output of +3.0, Nikon
SU800 Commander, Lexar 8G Flash Card.
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Image
#3 Corner Duel ...
I had made arrangements for a Motocross venue to be
available for the workshop. Wild Rat Raceway is about
a 30 minute drive east of Colorado Springs and was a
perfect venue for the class. I was joined by fellow
instructors Mark Terrill, Mark Reis, and Mark Kettenhoffen
at Wild Rat to help our students make some great action
pictures of motocross racing at its best. The race track
was all ours for the late afternoon sunshine and a dozen
talented athletes gave us non-stop action and close
up access. This shooting arrangement was similar to
a controlled commercial shoot as we had the run of the
course and were able to position ourselves perfectly
anywhere we wanted. These guys never stopped jumping,
flying, racing and competing all in an effort to provide
our class with the best pictures possible. Several of
the students brought their Nikon SB800 Speedlights as
did I. We set ourselves up in various corners and worked
on slow shutter speed rear curtain sync panned images
with flash. I let my Nikon D3 with 51 point auto focus
3D tracking follow the action while I held 2 SB800 Speedlights
(rubber banded together Tandem for easier holding) off
camera high above my head to help give a more studio
lit feel to the rider. Nikon D3, ISO100, 1/30 at f22,
Nikon 24-70mm Lens, 3D Focus Tracking with 51 points,
WB 7140K, Two Nikon SB800 Speedlights, SU800 Commander,
Lexar 8G Flash Card.
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Image
#4 Rider in the Sky
... Todd Bannister flew high overhead along with many
of the moto-men. Our class enjoyed every jump and fly-by.
As thunderheads began to build up in the Colorado sky
and sun rays streamed through, I slowed down my shutter
speed to 1/100 of a second and allowed for a little motion
blur to occur. Freezing the action perfectly is usually
preferred, but sometimes I like to give an image a little
personality. The slower shutter speed did just that. I
love the spinning motion of the wheels and the pan-blur
of the storm cloud. I also used 2 SB800 Speedlights to
add just a little bit of fill flash on Todd. The SB800
Speedlights made a big difference in revealing Todd from
a complete silhouette and defining the motorcycle engine,
exhaust pipes, and front forks. Nikon D3, ISO100, 1/100
at f22, Nikon 24-70mm Lens, WB 10,000K, 2 Nikon SB800
Speedlights with a power output of +3.0, Nikon SU800 Commander,
Lexar 8G Flash Card.
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What a great week of learning and image making.
Sometimes I wish I was a student so I could take more pictures.
I hope this article gives you an idea of what the week was like.
Thanks to all of you who attended this years Sports Photography
Workshop in Colorado Springs and thanks to those who have taken
the time to send me an email of appreciation. Sounds like many
of you learned several new techniques and made some great images
at all the sessions throughout the week.
See you next time here at Workshop at the Ranch. ..............Adios,
Dave
Past Workshop at the Ranch Issues
July, 2010
"Moto Light"
June, 2010
"West Coast Flash"

May, 2010
"Little Lights, BIG Arena - PART 2"

April, 2010
"Little Lights, BIG Arena - PART 1 "

March, 2010
"Workshop Wonders"
February, 2009
The D3s Advantage
January, 2010
"New Nikon D3s"
December, 2009
"Year in Review"

November, 2009
Return to Neverland

October, 2009
"Dramatic Gym Light"
September, 2009
"Saratoga Light"

August, 2009
"Graduation Class"

July, 2009
"FourSquare Sensation"

June, 2009
"Print On Demand publishing is for you"

May, 2009
"Sports Shooter Academy"

April, 2009
"My New Book is Available"

March, 2009
"The Nikon D3X...Part II "

February, 2009
"The Nikon D3X...Part I "

January, 2009
"Book Ideas Wanted"

December, 2008
Year in Review

November, 2008
Action with the SB-900 Speedlights

October, 2008
Lightpainting Under the Stars

September, 2008
Long Island Photo Workshop
August, 2008
"Best Buy Summit in San Francisco"
July, 2008
"Rich Clarkson's Sports Photography Workshop"

June, 2008
"Seven Photo Techniques"

May, 2008
"Learn Something New"

April, 2008
San Diego TREK

March, 2008
Joe McNally's book

February, 2008
The Nikon D300

January, 2008
Shoot From Where They Ain't (click here)
December, 2007
D3 Questions , Answers and Images

November, 2007
New Nikon D3

October, 2007
Football...A Retro Look

September, 2007
Get Out of the Box
August, 2007
Portrait Session with Frankie Herr

July, 2007
"Cowboy Up at the Double JJ Ranch"

June, 2007
"Light on the Run"

May, 2007
"SB800 Location Lighting in Mexico"

April, 2007
"Take it From the Top"

March, 2007
"Triple Play, Hat Trick, Trifecta" of Design

February, 2007
Principles of Success

January, 2007
Answers to Popular Questions

December , 2006
TREK to Peru and Machu Picchu

October, 2006
Creative Lightpainting (click
here)

September, 2006
Tandem SB800 Speedlight Set Up (click here)

August, 2006
Get Pumped Up with Light (click here)

July, 2006
Sports Action SB800 Lighting on Location (click here)

June, 2006
An Artistic Look At Derby Week (click here)

May, 2006
Lightpainting....from the Beginning (click here)

April, 2006
Workshop 40: Arches Mentor Series TREK

March, 2006
Workshop 39: Let the Games Begin...

February, 2006
Workshop 38: My Moody Blue Location Lighting Formula

January, 2006
Workshop 37: Answers to Popular Questions

December, 2005
Workshop 36: Year in Review...
My Favorite Equipment of 2005

November, 2005
Workshop 35: Building a Portrait

October, 2005
Workshop 34: Game Coverage.....My Way

September, 2005
Workshop 33: Equipment...and How It Can Help A Career

August, 2005
Workshop 32, Fill Flash....It's not Just For Portraits

July, 2005
Workshop 31, Rock On!

June, 2005
Workshop 30, Remote Cameras at Churchill Downs

May, 2005
Workshop 29, Arena Sport Strobe Lighting 102

April, 2005
Workshop 28, Arena Sport Strobe Lighting 101

March, 2005
Workshop 27: Nikon's D2X Digital Camera

February, 2005
Workshop 26: Steps to Success

January, 2005
Workshop 25: Own Your Images!

December, 2004
Workshop 24: Step-by-Step Lightpainting
November, 2004
Workshop 23: The Importance of Recognizing Light


September, 2004
Workshop 21: Covering The 2004 Summer Olympics
in Athens, Greece
(click here)

August, 2004
Workshop 20: Nikon SB-800 Speedlight
WIRELESS TTL LIGHTING
(click here)

July, 2004
Workshop 19: Location Portrait Lighting using
Nikon's NEW SB-800 Speedlights
(click here)

June, 2004
Workshop 18: Photography - Just Enjoy it!
(click here)

May, 2004
Workshop 17: Documenting the Masters
(click here)

April, 2004
Workshop 16: Scene Setters
(click here)

March, 2004
Workshop 15: THE JOY of FILL FLASH
(click here)

February, 2004
Workshop 14: Sports Strobe Photography
(click here)


December, 2003
Workshop 12: "Product Review - The Nikon D2H Digital Camera
(click here)

November, 2003
Workshop 11: "Be More Than a Fan"

October, 2003
Workshop 10: "More Porrage, Please"

September, 2003
Workshop 9: The Nikon COOLPIX 5700

August, 2003
Workshop 8: Using Wireless Remotes

July, 2003
Workshop 7: Approaching The Event

June, 2003
Workshop 6: To be noticed, to be published, to the marketplace

May, 2003
Workshop 5: What Drives an Image Part Two,
Slow Shutter Speed & Pan, (click here)
April, 2003
Workshop 4: What Drives an Image? (click here)

March, 2003
Workshop 3: Fill Flash Techniques (click here)

February, 2003
Workshop 2: Sports Arena Lighting (click here)

January,
2003
Workshop 1: Lightpainting (click here)
