Nikon SB-800 Speedlight
WIRELESS TTL LIGHTING
Workshop at the Ranch
August, 2004 Edition
Hi again, And welcome to the August
issue of Workshop at the Ranch. By the time this article is posted
I will already be in Athens, Greece working for Newsweek at the
Summer Olympics. I am still practicing / learning how to best
use the Nikon SB-800 Speedlights as I believe they are a perfect
solution for potential on location cover shoots at an event like
the Olympics. Last month I demonstrated the step by step portrait.
This month let's really break instruction down as many of the
emails that came in during July requested set up explanation of
the Nikon SB-800 Speedlight WIRELESS TTL LIGHTING.
MASTER.....
1. Mount the SB-800 to the HOTSHOE
of the camera. Turn on the camera. Turn on the SB-800 and press
the MODE button until the unit displays TTL BL FP....(plenty
of additional information will also appear...but let's not concern
ourselves with that).....you are now in TTL mode.
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| Nikon's SB-800 Speedlight |
2. Press and HOLD DOWN the SEL (select)
button for 2 seconds and the display changes to 4 boxes (1 box
is black, 1 box is clear, 1 box has two flash units and 1 box
has A / AA Press and release the single pine tree icon button
(it is next to the SEL (select) button... and a list appears reading
OFF, MASTER, MASTER(R P T), REMOTE, SU-4
3. Press and release the SEL button
and it Highlights (in black) the word OFF in the list. You are
now active in that list and ready to choose this SB-800's function
by pressing the + or - button to scroll up or down the list. Press
+ or - until the MASTER is highlighted in black.
4. Now Press and HOLD DOWN the SEL
button and the display changes to a list M TTL, A TTL, B TTL,
C TTL on the left side of the screen. The right side of the screen
has information too, but for our immediate purposes let's concentrate
with the list on the left side.
5. Press and release the SEL button
and the M TTL is highlighted (in black). This is the MASTER SB-800
Power Flash Output. Press the + or - to power up or power down
the flash output in 1/3 increments. This is the MASTER SB-800
that is attached to the hotshoe of the camera. I power down the
MASTER to -3.0 so that very little light hits the subject. I want
my subject lit from SB-800's that are OFF CAMERA , NOT a DIRECT
FLASH from the on camera MASTER.
REMOTE.....
1. Take another SB-800. Turn it on
and Press MODE button until TTL appears. Press and HOLD DOWN the
SEL button and the display changes and highlights (in black) the
box with 2flashes. Press and release the SEL button to highlight
the list. Now Press the + or - button to scroll the past MASTER
and highlight REMOTE. This SB-800 is now a WIRELESS REMOTE Speedlight.
2. Now Press and HOLD DOWN the SEL
button and the display changes to REMOTE. Also displayed are CH
1234 (channels 1,2,3, and 4) and GROUP A B C. By Pressing and
releasing the SEL button I can select the CHANNEL BOX or the GROUP
BOX. Once I highlight either of these boxes I can press the +
or - to choose the channel or group I want the REMOTE SB-800 to
be assigned to. For our purposes I assign CH 1 and GROUP A for
the REMOTE SB-800. This SB-800 is now a REMOTE (off camera and
wireless) that I control the power output from the MASTER.
3. Look at the MASTER display and
you see the A TTL. That is your GROUP A SB-800. Press and release
the SEL button on the MASTER until A TTL is highlighted. Now power
up or down with + or - buttons to increase or decrease to flash
power output of the REMOTE GROUP A SB-800.
4. I can now set up more REMOTE
SB-800's and control the power output from each of them wirelessly
from the MASTER. Simply, there are 3 GROUPS (A B C) I can have
multiple SB-800's assigned to each GROUP A, B or C and control
the flash power output of the SB-800's that are assigned to each
GROUP from the Master.
All the REMOTE SB-800 Speedlights can be controlled
from the MASTER. The convenience of powering up or down from the
MASTER on the camera is fantastic. I can shoot, look and power
up or down the Group A SB-800, shoot, look and power up or down
the GROUP B SB-800, and shoot, look and power up or down he GROUP
C SB-800 until I have the desired lighting look I want to create
the mood I want.
Now that we know how to set up the
MASTER and REMOTES let's find some subjects.......Anyone will
do........Yes, anyone.........If I wait for an assignment to try
something new I am asking for trouble........so.......let's practice
with...this guy..................
Here is my older brother Ward. He is
a gifted sports writer and a bit comical in his writing
style. I used a Nikon D2H, 12-24mm lens with a close-up
filter to distort the edges of the image, ISO200, Aperture
Priority, EV-1, WB Cloudy, Lexar 1G flash card. With 1
SB-800 as my MASTER (on camera) powered down-3.0 2 REMOTE
SB-800's (off camera profile to the subjects right) assigned
GROUP A (powered up +1.0) and GROUP B (powered up +1.0).
And 1 more REMOTE SB-800 assigned GROUP C (powered up
+2.7). All the REMOTES are located only 2 feet away from
my subject and are clamped to Bogen Lightstands with Bogen
175F Clamps designed to hold the Speedlight. I am using
the Diffusion Domes that came with the SB-800's on each
unit. I shoot and look at the image on the LCD Screen
and power up + or power down - each of the SB-800's individually
from the MASTER on the camera. Within a few shots I can
adjust the flash output from each REMOTE SB-800 and begin
composing the image.
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Self Portrait...Yes, choose
anyone...and if no one is available then use yourself
to learn. This time I am using 7 SB-800 Speedlights (and
yes, I own all 7 of them.) 1 is the MASTER -3.0 GROUP
A is assigned 2 REMOTES +2.3 gives light to my face and
chest. GROUP B is assigned 2 REMOTES +2.0 and give light
to the golf bag. GROUP C has 2 REMOTES +1.0 and are directed
at the golf club head from above and below. I set the
White Balance on 3300 K to blue the sky and used the Warming
Gels that came with the SB-800's inside the Diffusion
Domes to warm me to a sunset look. Nikon D2H, 12-24mm
lens, Aperture Priority EV-2 Bogen Lightstands, 175F Clamps
and Tripod, Lexar 1G Flash Card.
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My daughter Haley and her friend Lizzie
cowgirled-up for my next practice shoot. Again I used
7 SB-800's. 1 MASTER on camera set to -3.0. 2 Bogen Lightstands
are set up to profile each subject just out of the frame.
I positioned the SB-800's in GROUPS A, B, and C on each
lightstand with GROUP A+2.3 positioned slightly higher
than the subject, GROUP B +2.0 positioned level with their
face, and GROUP C +0.3 positioned at the subjects waist.
The fall off of light from the upper torso area down to
the ground was about 1 1/3 stops darker than the subjects
faces. I did this so I could LIGHTPAINT the guns, chaps,boots
and ground with a 2 million candle VECTOR SPORT SPOT LIGHT
and a 10% grid. The 8 second exposure gave me time to
lightpaint these elements while the SB-800's froze the
subjects face. Nikon D2H, 12-24mm lens, ISO200, Aperture
Priority at f5.6 gave a shutter time of 8 seconds. EV-1,
WB 2700K to blue the sky, Bogen Lightstands, Clamps and
Tripod, Nikon Warming Gels and Diffusion Domes, Lexar
1G Flash Cards. Captured about 30 minutes after sunset.
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Well............An in depth Workshop at the Ranch
but I hope this helps explain the basic functions of these little
giants. REMOTE Wireless TTL Lighting with control from the MASTER
made possible with the Nikon SB-800 Speedlights. See you after
the Summer Olympics in Athens, Greece.
WORKSHOPS and PRESENTATION Schedule
March 5-7, 2010 ... Southwestern Photojournalism Conference (SWPJC) Ft. Worth, Tx. www.swpjc.org
April 28,- May 4, 2010 ... American PHOTO Mentor Series Trek to Zion National Park and Bryce Canyon www.mentorseries.com
September (dates TBA) 2010 ... American PHOTO Mentor Series Trek to Turkey www.mentorseries.com |
Past Workshop at the Ranch Issues
February, 2009
The D3s Advantage
January, 2010
"New Nikon D3s"
December, 2009
"Year in Review"

November, 2009
Return to Neverland

October, 2009
"Dramatic Gym Light"
September, 2009
"Saratoga Light"

August, 2009
"Graduation Class"

July, 2009
"FourSquare Sensation"

June, 2009
"Print On Demand publishing is for you"

May, 2009
"Sports Shooter Academy"

April, 2009
"My New Book is Available"

March, 2009
"The Nikon D3X...Part II "

February, 2009
"The Nikon D3X...Part I "

January, 2009
"Book Ideas Wanted"

December, 2008
Year in Review

November, 2008
Action with the SB-900 Speedlights

October, 2008
Lightpainting Under the Stars

September, 2008
Long Island Photo Workshop
August, 2008
"Best Buy Summit in San Francisco"
July, 2008
"Rich Clarkson's Sports Photography Workshop"

June, 2008
"Seven Photo Techniques"

May, 2008
"Learn Something New"

April, 2008
San Diego TREK

March, 2008
Joe McNally's book

February, 2008
The Nikon D300

January, 2008
Shoot From Where They Ain't (click here)
December, 2007
D3 Questions , Answers and Images

November, 2007
New Nikon D3

October, 2007
Football...A Retro Look

September, 2007
Get Out of the Box
August, 2007
Portrait Session with Frankie Herr

July, 2007
"Cowboy Up at the Double JJ Ranch"

June, 2007
"Light on the Run"

May, 2007
"SB800 Location Lighting in Mexico"

April, 2007
"Take it From the Top"

March, 2007
"Triple Play, Hat Trick, Trifecta" of Design

February, 2007
Principles of Success

January, 2007
Answers to Popular Questions

December , 2006
TREK to Peru and Machu Picchu

October, 2006
Creative Lightpainting (click
here)

September, 2006
Tandem SB800 Speedlight Set Up (click here)

August, 2006
Get Pumped Up with Light (click here)

July, 2006
Sports Action SB800 Lighting on Location (click here)

June, 2006
An Artistic Look At Derby Week (click here)

May, 2006
Lightpainting....from the Beginning (click here)

April, 2006
Workshop 40: Arches Mentor Series TREK

March, 2006
Workshop 39: Let the Games Begin...

February, 2006
Workshop 38: My Moody Blue Location Lighting Formula

January, 2006
Workshop 37: Answers to Popular Questions

December, 2005
Workshop 36: Year in Review...
My Favorite Equipment of 2005

November, 2005
Workshop 35: Building a Portrait

October, 2005
Workshop 34: Game Coverage.....My Way

September, 2005
Workshop 33: Equipment...and How It Can Help A Career

August, 2005
Workshop 32, Fill Flash....It's not Just For Portraits

July, 2005
Workshop 31, Rock On!

June, 2005
Workshop 30, Remote Cameras at Churchill Downs

May, 2005
Workshop 29, Arena Sport Strobe Lighting 102

April, 2005
Workshop 28, Arena Sport Strobe Lighting 101

March, 2005
Workshop 27: Nikon's D2X Digital Camera

February, 2005
Workshop 26: Steps to Success

January, 2005
Workshop 25: Own Your Images!

December, 2004
Workshop 24: Step-by-Step Lightpainting
November, 2004
Workshop 23: The Importance of Recognizing Light


September, 2004
Workshop 21: Covering The 2004 Summer Olympics
in Athens, Greece
(click here)

August, 2004
Workshop 20: Nikon SB-800 Speedlight
WIRELESS TTL LIGHTING
(click here)

July, 2004
Workshop 19: Location Portrait Lighting using
Nikon's NEW SB-800 Speedlights
(click here)

June, 2004
Workshop 18: Photography - Just Enjoy it!
(click here)

May, 2004
Workshop 17: Documenting the Masters
(click here)

April, 2004
Workshop 16: Scene Setters
(click here)

March, 2004
Workshop 15: THE JOY of FILL FLASH
(click here)

February, 2004
Workshop 14: Sports Strobe Photography
(click here)


December, 2003
Workshop 12: "Product Review - The Nikon D2H Digital Camera
(click here)

November, 2003
Workshop 11: "Be More Than a Fan"

October, 2003
Workshop 10: "More Porrage, Please"

September, 2003
Workshop 9: The Nikon COOLPIX 5700

August, 2003
Workshop 8: Using Wireless Remotes

July, 2003
Workshop 7: Approaching The Event

June, 2003
Workshop 6: To be noticed, to be published, to the marketplace

May, 2003
Workshop 5: What Drives an Image Part Two,
Slow Shutter Speed & Pan, (click here)
April, 2003
Workshop 4: What Drives an Image? (click here)

March, 2003
Workshop 3: Fill Flash Techniques (click here)

February, 2003
Workshop 2: Sports Arena Lighting (click here)

January,
2003
Workshop 1: Lightpainting (click here)
